Brand Standards  |  Photo & Video Standards

Photo & Video Principles

  • CARE images/video should  reflect that girls and women are the heart of CARE’s work.  Powerful portraits  of girls and women, from young school girls to the elderly, are especially effective at  conveying CARE’s brand. Images of men and boys should also be captured.
  • Portraits with eye contact  create an emotional connection between the subject and the viewer.
  • Images/video should  evoke dignity, determination, individual and community pride, self-improvement, community improvement, self-reliance, capability and empowerment. It is fine to show need or problems where they exist.
  • Including a subject’s living or working environment in the image provides meaningful context. 
  • CARE workers should be portrayed as compassionate professionals supporting community-based solutions to poverty. 
  • Images/videos depicting crises or emergencies should reflect the severity of a situation while always respecting and protecting the dignity of the subjects. 
  • Information associated with a photo/video must be accurate. Whenever possible a photo release should be obtained from the subject. If possible, subject’s name, location and the role the subject plays in the story being gathered should be available for captions and other text.
  • Documented permission is required from a subject before identifying her or him as a member of a vulnerable population. Vulnerable populations include (but are not limited to) people with HIV and AIDS, former child soldiers, survivors of human trafficking or gender-based violence and current or former sex workers. Individuals who are not members of these populations should never be falsely identified as such.
  • There may be situations in which nudity is an appropriate or necessary part of a CARE image. In these rare instances, the image and its intended use should be reviewed and approved by a senior communications manager.
  • Newer images and videos are preferable to older ones. Before using photos or videos that are older than five years, in a context that is not historical, approval by a senior communications manager is required.
  • Any digital manipulation of a still image (e.g., flipping or altering content) is strongly discouraged.  If an image is created, staged or manipulated, the image must be reviewed by the senior photo editor for approval.
  • Photo credits must accompany all externally distributed photos.  The external photo credit format is © date photographer name/CARE. For example, © 2019 Josh Estey/CARE. Credits should be reviewed by CARE's Photo Library staff for accuracy, format and legal compliance prior to distribution.
  • To resolve questions or further explanation of the photo policy, please Contact CARE's Photo Library at  photorequests@care.org

Brand Standards  |  Photo & Video Standards

Photo & Video Principles

Photo & Video Principles  |  Photo Credits

  • CARE images/video should  reflect that girls and women are the heart of CARE’s work.  Powerful portraits  of girls and women, from young school girls to the elderly, are especially effective at conveying CARE’s brand. Images of men and boys should also be captured.
  • Portraits with eye contact  create an emotional connection between the subject and the viewer.
  • Images/video should  evoke dignity, determination, individual and community pride, self-improvement, community improvement, self-reliance, capability and empowerment. It is fine to show need or problems where they exist.
  • Including a subject’s living or working environment in the image provides meaningful context. 
  • CARE workers should be portrayed as compassionate professionals supporting community-based solutions to poverty. 
  • Images/videos depicting crises or emergencies should reflect the severity of a situation while always respecting and protecting the dignity of the subjects. 
  • Information associated with a photo/video must be accurate.  Whenever possible a photo release should be obtained from the subject. If possible, subject’s name, location and the role the subject plays in the story being gathered should be available for captions and other text.
  • Documented permission is required from a subject before identifying her or him as a member of a vulnerable population.  Vulnerable populations include (but are not limited to) people with HIV and AIDS, former child soldiers, survivors of human trafficking or gender-based violence and current or former sex workers. Individuals who are not members of these populations should never be falsely identified as such.
  • There may be situations in which nudity is an appropriate or necessary part of a CARE image. In these rare instances, the image and its intended use should be reviewed and approved by a senior communications manager.
  • Newer images and videos are preferable to older ones. Before using photos or videos that are older than five years, in a context that is not historical, approval by a senior communications manager is required.
  • Any digital manipulation of a still image (e.g., flipping or altering content) is strongly discouraged.  If an image is created, staged or manipulated, the image must be reviewed by the senior photo editor for approval.
  • Photo credits must accompany all externally distributed photos.  The external photo credit format is © date photographer name/CARE. For example, © 2019 Josh Estey/CARE. Credits should be reviewed by CARE's Photo Library staff for accuracy, format and legal compliance prior to distribution.
  • To resolve questions or further explanation of the photo policy, please Contact CARE's Photo Library at  photorequests@care.org
<p>
	Ummee Salma, 16. &ldquo;Me and my older brother came here four months ago. My parents are either killed or lost. When violence broke out we were separated. I heard them screaming our names but we couldn&rsquo;t find each other. That was the last time I saw them. If my parents were alive they would have come and found us in Bangladesh.&rdquo;</p>
<p>
	In a camp of today more than 900,000 people, the border between Bangladesh and Myanmar became the site of the world&rsquo;s fastest growing refugee crisis. Over 680,000 refugees made the perilous journey from neighboring Rakhine State in Myanmar into Bangladesh in just six months escaping violence, death and destruction. The concentration of refugees is now among the densest in the world. CARE has been working in the refugee camps since the beginning of the crisis providing emergency shelter, medical support, clean water, sanitation, gender-based violence support and more.&nbsp;</p>
<p>Sinai, 17, holds her daughter Nicole 4, as they prepare to begin their walk across the nation of Ecuador. Sinai said she could not take one of the official buses because, .&ldquo;All our documents were stolen at the Venezuelan border. A man offered to help with our bags and then disappeared. We have no documents so the buses won&rsquo;t take us. Our only option is to walk&rdquo; Photographed April 18, 2019. Four-year-old Nicole had her feet wrapped in tin foil to help her stay warm. All her things were in the luggage that had been stolen so they improvised how to stay warm. .The group had been on the road for eleven-days mostly hitch hiking and using buses when available.VERBAL CONENT GIVEN</p>
<p>
	Kids play a traditional game called La Campanita, which is like a tug of war, a game that is played by both boys and girls in April of 2018. The children attend the EORM Chuisactol primary school.CARE launched a pilot here 2 years ago to encourage young girls in leadership through a student govt program, and a school for parents, that has been very effective in raising attendance. The program no longer is funded by CARE, but is sustained in the school community.</p>